RPGFan


 
Mike Sollosi's Music of the Year

Another year on the calendar means another healthy selection of soundtracks that moved me to hype, moved me to tears, or at least got my head moving back and forth. Here's my list of my favorite game music from 2015, which includes an indie darling, two AAA action titles, a Japanese import, and one game that doesn't exist in a playable form anywhere yet. All of these games have soundtracks worth buying, or at least worth streaming over and over on your phone while you're trying to write an interesting intro blurb for Music of the Year.


Undertale
Composed by Toby Fox

Toby Fox, the architect of all things Undertale — from the code to the story to the sounds — put an enormous amount of thought and care into Undertale's soundtrack. Mixing directly recorded piano and guitar audio with a variety of sample libraries, Undertale's music creates specific moods beautifully while also seeming to be aware that it's a video game soundtrack and couldn't be produced for any other medium. Don't dismiss Undertale as chiptune homage music; it's an incredible soundtrack that's enhanced by in-game context, and I'll continue to listen to it for a long, long time.

Have you heard...

Okami Henkyokushuu Vol.2 Jazz

Amaterasu and Issun walk into a bar...and enjoy some sweet jazz, courtesy of Zac Zinger.

Tokyo Xanadu
Composed by Falcom Sound Team JDK

Tokyo Xanadu came out in Japan in September of 2015, and it's right at the top of my wishlist for release in English-speaking territories. I couldn't resist buying Tokyo Xanadu's soundtrack last fall because, well, it's so damn cool. A Nihon Falcom executive wrote a memo to Sound Team JDK and told them "give us your take on Persona 3." The result is delightful. There are cheery school tunes, smooth dungeon music, and intense boss fights that evoke recent Persona music, sure, but also check all the boxes in a good Falcom soundtrack. As a big fan of both Falcom and Persona music, Tokyo Xanadu's soundtrack is right in my wheelhouse.


Bloodborne
Composed by Ryan Amon, Tsukasa Saitoh, Yuka Kitamura, Michael Wandmacher, Nobuyoshi Suzuki

Bloodborne music won't be entering my gym playlist anytime soon. Like the best audio in a horror game, Bloodborne's soundtrack uses ominous chords and dissonance to create feelings of discomfort and dread. The boss fight music does this especially well, usually paying off into powerful, slightly more upbeat orchestral music that fits Bloodborne's Gothic aesthetic and is a pretty cool listen, if you can afford to focus on something other than not getting brutally murdered by plague-infested monsters. And if you don't mind giving yourself nightmares for a few weeks. Without this soundtrack, Yharnam wouldn't have been quite as beautifully twisted a setting.

Have you heard...

Through Time and Space: Chrono Piano Album

Relax to Laura Intravia's soothing piano arrangements of Chrono Classics.

Dopest Trailer Music
Persona 5
Composed by Shoji Meguro

In February of 2015, fans got the first extended trailer of Persona 5 gameplay, and in RPG circles it broke the internet. Part of why that trailer was so awesome was its soundtrack, an instrumental version of the song in Persona 5's opening video. It's a jazzy, confident tune with infectious bass and electric piano that I've listened to dozens of times in 2015. The electric guitar carrying the melody is so good that I'm slightly bummed that it'll be replaced by a vocalist in the finished product. I would've been excited for Persona 5's soundtrack even if this trailer never dropped, but this song raised my personal hype level to critical mass.

Favorite Non-RPG Soundtrack
Assassin's Creed: Syndicate
Composed by Austin Wintory

I've only played one Assassin's Creed game at length, 2009's Assassin's Creed II. It was pretty good, but it didn't make me thirsty for more Assassin's Creed in my life. So after passing on the series for six years, I'm keenly interested in trying Assassin's Creed: Syndicate, and it's all Austin Wintory's fault. Using a small chamber orchestra, Wintory has created some of the most compelling parts for strings in any video game soundtrack I've ever heard. Murdering noblemen and dodging guards in Victorian London to this music sounds like a pretty good time. The cheeky tavern songs are icing on the bloodstained cake.





Twitch Schedule & Status

Sunday, December 16th
Rogue Galaxy w/Maxx • 10am PDT/1pm EDT

Mondays
Darksiders w/Maxx • 12pm PDT/3pm EDT
Digimon Story: Cyber Sleuth - Hacker's Memory w/Kat • 3pm PDT/6pm EDT

Tuesdays
Kingdom Hearts: Dream Drop Distance w/Kyle • 3pm PDT/6pm EDT
Dragon Quest XI w/Scott • 7pm PDT/10pm EDT

Wednesdays
Dragon Quest XI w/Scott • 7pm PDT/10pm EDT

Thursdays
Kingdom Hearts: Dream Drop Distance w/Kyle • 3pm PDT/6pm EDT
Dragon Quest XI w/Scott • 7pm PDT/10pm EDT

Fridays
Fire Emblem: Path of Radiance w/Kat • 3pm PDT/6pm EDT
Friday Super Variety Night w/Scott • 7pm PDT/10pm EDT

Saturdays
Dragon Quest XI w/Scott • 5pm PDT/8pm EDT

Games of the Year 2018: Readers' Choice

Games of the Year 2018: Readers' Choice

Vote now!
Retro Encounter Final Thoughts ~ Nine Hours, Nine Persons, Nine Doors

Retro Encounter Final Thoughts ~ Nine Hours, Nine Persons, Nine Doors

Podcast Feature
RPGFan Founders Roundtable ~ An RPGFan 20th Anniversary Feature

RPGFan Founders Roundtable

An RPGFan 20th Anniversary Feature
Crowdfunding Chronicles Volume 3

Crowdfunding Chronicles Volume 3

Feature
NieR: Automata Orchestral Arrangement Album Review

NieR: Automata Orchestral Arrangement Album

Review
RPGFan Launches Daily 'This Day in Gaming' Video Series

RPGFan Launches Daily "This Day in Gaming" Video Series

Video Series