Final Fantasy XV OST Volume 2

[back cover]
Catalog Number: SQEX-10646~50
Released On: March 21, 2018
Composed By: Yoko Shimomura, Keiichi Okabe, Naoshi Mizuta, Nobuo Uematsu, Yasunori Mitsuda, Tetsuya Shibata, Yoshino Aoki, Yoshitaka Suzuki, Tadayoshi Makino, Tsutomu Narita, Tomomichi Takeoka, Tai Tomisawa, John Graham
Arranged By: Keiichi Okabe, Tetsuya Shibata, Yoshitaka Suzuki, Takuro Iga, Tsutomu Narita, Tadayoshi Makino, Yasunori Mitsuda, Youki Yamamoto, Mariam Abounnasr, Sachiko Miyano
Published By: Square Enix
Recorded At: N/A
Format: 5 CDs
Buy this album from CDJapan

Disc One: Episode Gladiolus
01 - Shield of the King - Theme of EPISODE GLADIOLUS
02 - Steeling My Resolve
03 - Taelpar Crag
04 - The Spirits Converge
05 - The Trials of the Shield
06 - Battle on the Big Bridge (EPISODE GLADIOLUS Version)
07 - Of Muscle and Mettle
08 - Scar on My Pride
Total Time:

Disc Two: Episode Prompto
01 - A Frozen Soul
02 - Prompto's Solitude
03 - Beckoned by Darkness
04 - Orbital Instability (Extended Mix)
05 - Trigger
06 - Coffee and Contemplation
07 - Where None Dare Tread
08 - Helix of Insanity
09 - Lost in the Snow
10 - The Fire Within
11 - Identity
12 - Moving Forward
13 - Sound of My Heart
14 - Face the Music
15 - In a Trance
16 - Crazy Motorsleigh
17 - Orbital Instability
18 - Aberrant Experiment
19 - Sins of the Father
20 - My Life to Live
21 - Home Sweet Home - Theme of EPISODE PROMPTO
Total Time:

Disc Three: Multiplayer Expansion Comrades
01 - Descent into Darkness
02 - Choosing Hope - City of Light
03 - Hunters' Haven
04 - Hunting for a Thrill
05 - On the Defensive
06 - Urgent Mission
07 - The Clock Is Ticking
08 - A Daunting Challenge
09 - COMRADES Fanfare
10 - Cheers!
11 - Let There Be Light
12 - Lodes of Fun
13 - Rise and Shine
14 - A Clash of Swords
15 - The Wrath of Swords
16 - Choosing Hope
17 - NOCTIS - Those Who Follow
Total Time:

Disc Four: Episode Ignis
01 - EPISODE IGNIS - The Main Theme
02 - Stress in Solitude
03 - Spelldaggers
04 - Altissia Under Siege
05 - Rest Up, Ignis
06 - The Bladed Tactician
07 - Clash on the Waves
08 - A United Front
09 - To Each Their Calling
10 - A Tear-Stained Sword
11 - Theme of RAVUS
12 - Forbidden Flames
13 - The Blazing Tactician
14 - Badge of Honor
15 - A Lightless Journey
16 - Ardyn III
17 - As Friend and Brother
18 - Become the Fire
19 - Captive in Cobalt
20 - Ashes to Ashes
21 - Wicked Laughter
22 - My Humblest Desire
23 - Apocalypsis Magnatus
Total Time:

Disc Five: Royal Edition
01 - Over the Waves - At Anchor
02 - Bismarck, God of the Sea
03 - Dirt Track Trials
04 - Return of the King
05 - A Warm Welcome
06 - Insomnia Ablaze
07 - Veiled in Black (Insomnia Arrangement)
08 - Omega
09 - Omega - Limit Break
10 - Cerberus
11 - Advent of the Apocalypse
12 - Es it foron! - A Prayer
13 - Encelevenemus - Kingly Compassion
14 - The Founder King's Hope
15 - Moonlit Melodies
Total Time:

After the initial launch of Final Fantasy XV, Square Enix kept a steady stream of DLC coming along, culminating with the March 2018 update that brought some finality to the multiplayer "Comrades" DLC, as well as the bevy of small updates that came with "Royal Edition." This "Volume 2" soundtrack was also released that month. But seriously ... five discs? The more surreal thought for me, at the time, was the possibility of a just-as-large "Volume 3." However, as FFXV fans discovered later in 2018, almost all of the planned DLC was canceled. I imagine a final soundtrack, perhaps digital-only, will be released for Episode Ardyn. But we can all bid farewell to music for Luna, Aranea, and Noctis.

Some fans of the FFXV soundtrack have panned the Volume 2 soundtrack for being a mixed bag. I am referencing a variety of posts from forum users, with sources ranging from reddit and GameFAQs to vgmdb and even RPGFan's own Discord server. "Mixed bag" seemed to be the metaphor du jour. I understand the frustration: this is not a unified set of music, as it is not all from the same lead composer (as the base game had Yoko Shimomura). But "mixed bag," you say? I truly do not see it this way. Rather than a mix of good and bad songs spread evenly over the length of this soundtrack, I envision five separate parts of a whole. And, to utilize a potent metaphor, I turn to the realm of food. Some readers will know of my fondness for food metaphors in music reviews, but let me assure you, this is the first time I've come up with one so interesting, that it will be worth reading, if only to understand what exactly is going on with this massive collection of music.

And so, here it is: FFXV OST Vol.2 is a four-course meal ... with leftovers to take home.

I imagine Ignis would be proud of my metaphor. In turn, I am impressed with the musicians who worked on Episode Ignis! But we will get there, eventually. Without further ado:

The Appetizer: Episode Gladiolus

The key disparity between the Gladiolus disc and all the others is obvious: look at the disc times. Seriously, 26 minutes? That's nothing compared to everything else. However, quantity does not dictate quality, and a shorter work can have a strong impact. Considering NieR composer Keiichi Okabe wrote the theme song and did the Gilgamesh (Big Bridge) arrangement, there is already reason to hope for an excellent appetizer. And whether you wanted something fancy like bruschetta with fig spread, or something as simple as bread sticks, you will likely be pleased by this starter course.

While Okabe's signature styles are clear to the ear, and are certainly fitting for what is the most stoic, serious version of Gilgamesh in the FF series to date, the majority of the music for this short disc was composed and arranged by Tetsuya Shibata. Like Shimomura before him, Shibata is a previous Capcom music team member (Monster Hunter, Devil May Cry), and later went freelance with Yoshino Aoki to form UNIQUE NOTE (Aoki wrote track 3 for this expansion). Those who have played the previous games Shibata contributed to will no doubt recognize the still in tracks like "The Spirits Converge" and "Shield."

This tasty treat's "flaw" is that it is so short. However, while given the brevity of the actual DLC scenario, it makes sense. And, given Square Enix's decision to package all of this music together, I think I'm happy to have a small precursor to get me going.

Soup and Salad: Episode Prompto

Prompto's theme song for the Episode Prompto DLC, composed by Naoshi Mizuta, may be one of my favorite compositions in this whole set. It's a great thing to hear. But Mizuta's contributions pale in comparison to that of composer/arranger Yoshitaka Suzuki, who packs this loaded disc — the longest in the set at nearly 75 minutes — with more filler than one can handle.

Think about this: often at a restaurant, you are presented with the option of soup or salad. But have you ever been to a restaurant that, without even asking for your consent, brought both soup and salad to your table? It's very overwhelming, especially when you consider that there is plenty more to go. And while salads may have diversity in texture and flavor, the experience gets tired. So, too, with many soups.

This is my problem with Episode Prompto. There are some great moments, accentuated by a tasty crouton, a spicy pepper, or maybe a tasty solid bite within that soup. For me, Takuro Iga's expert piano arrangement of track 9, "Lost in the Snow," is one of those key moments. In contrast, having not one but two versions of "Orbital Insanity" was more than I could handle. Send it back, I say!

Before moving forward, I must give a nod of approval to "Crazy Motorsleigh," whose title is a thinly veiled homage to FFVII's "Crazy Motorbike."

The Entrée: Comrades

Wait, the multiplayer expansion is the main course?

Actually, yes! Think about it: you sink the most time into this DLC if you want to finish it, it features a bevy of original compositions from the series origin composer Nobuo Uematsu, and it even features additional composition and arrangement from classic JRPG protégé Tsutomu Narita. Even the newcomers to this incredible mix stick the landing with true-to-form FF battle music themes, as heard in tracks like "On the Defensive" and "Urgent Mission." There are some calm moments, as in "Hunters' Haven" and "Cheers!" Like many entrées from well-established restaurants, there's a lot to take in, and you may not be able to finish it in one sitting. But there are many aspects of this main dish to visit.

Perhaps the most exciting bit is the epic concluding section. Tracks 14 through 17 are textbook epic VGM. This is where Uematsu's compositions shine most, with epic battle themes and a Gospel-esque ending theme "Choosing Hope." There is this climactic moment in the ending vocal track where the vocalist sings: "I chose hope when all hope had seemed lost." If that doesn't embrace the encroaching darkness theme from the time people are clinging to dear life during "Comrades," I don't know what does. It is simple, but sweet Lucis, is it poignant. It's poignant like a hint of citrus cutting through a savory dish.

The Dessert: Episode Ignis

Paul Hollywood (of Great British Bake-Off / Baking Show fame) defines a dessert as something that you could not possibly eat after a meal, but its appeal forces a kind of second wind to keep eating. If it can motivate you to keep going, despite your better judgment, it must be a very good dessert.

Not only is Episode Ignis by far my favorite DLC for FFXV (and probably one of the best episodic DLCs I've played for any game), it sports a wildly indulgent soundtrack. This is thanks to a singular piece, penned by veteran composer Yasunori Mitsuda (Chrono Trigger/Cross, Xenogears, among others). That one piece of music is the Episode Ignis main theme. The main theme gets reused no less than six times throughout the soundtrack. In fact, of the five audio samples provided in this review, four of the five samples contain the iconic four-measure leitmotif established for Ignis. However, if you listen, you can see how its usage varies. Though the lead instrument tends to stay the same — sweet sweet violin melody! — the tempo, the overall musical context, and the other sections of each piece of music differ significantly. This is primarily thanks to arranger Tadayoshi Makino, who deserves a great deal of praise for making a smooth, cohesive "dessert" soundtrack.

Think of it this way: when you eat a bowl of ice cream or a piece of cake, each bite can taste equal to the last (not unlike the "soup" portion in Prompto). The difference here is that this tastes so good, you keep coming back for more. That's exactly what Mitsuda and Makino pulled off. I keep coming back for more. I've listened to this disc many more times than any other disc in FFXV OST Vol.2, and more than the entirety of FFXV OST. Simply put, I love this disc like I love my favorite dessert (tiramisu). Just listen to the samples. You'll get the idea. And if you've already played the DLC, you know exactly what I'm talking about.

The Leftovers: Royal Edition

Leftovers are what you make of them. The mere fact that one would take the time to box up the unfinished food rather than have it tossed suggests the food was good enough to enjoy another time. For me, when it comes to leftovers, this is the only time that the "mixed bag" metaphor used by other reviewers truly applies. Royal Edition itself was a series of mini-expansions to FFXV: expanded fishing opportunities, some bonus optional boss battles, a racing minigame, that sort of thing. In many ways, this is just an extended arrangement of music from the original game. Seven of the disc's 15 tracks have Yoko Shimomura credited as the original composer, most of them featuring arrangers adding their own touch. Similarly, the Omega battle theme includes some of Uematsu's work, including a brief but obvious reference to Lenna's Theme from FFV.

There are understated themes, and there are over-the-top bits. Maybe you'll be content to throw out the leftover soup, but you want to finish that eggplant parmesan. So, maybe skip by the first half of the disc, and enjoy the epic finale. It's your call; it's your leftover package. Royal leftovers.

Good Meal: Now What?

Well, I imagine an Episode Ardyn soundtrack will be released separately, perhaps for the anime "Prologue" and the in-game DLC combined. Also, there is a Blu-ray variant of this soundtrack that puts all five discs into a single Blu-ray, and then there is even more music on a second Blu-ray disc (FFXV OST did this as well). I can't even fit the latter into my food metaphor. Maybe something about going grocery shopping after spending all that money on a single, fancy meal?

No matter what may happen from here, I can say this for certain: regardless of its flaws, this soundtrack is a meal that reflects some of Ignis' best stat-boosting campfire cookouts. Though it may not be much of anything like the original FFXV OST, Volume 2 has so much to offer, I would encourage fans not to let it pass by.

Reviewed by: Patrick Gann


Twitch Schedule & Status

May 19: Zanki Zero: Last Beginning w/Scott • 10am PDT/1pm EDT

Suikoden II w/Maxx • 12pm PDT/3pm EDT
Golden Sun w/Kat • 4pm PDT/7pm EDT

Final Fantasy VIII w/Kyle • 3pm PDT/6pm EDT
Valkyrie Profile 2 w/Scott • 7pm PDT/10pm EDT

Mass Effect 2 w/Nathan • 10am PDT/1pm EDT
Valkyrie Profile 2 w/Scott • 7pm PDT/10pm EDT

Golden Sun w/Kat • 4pm PDT/7pm EDT
Valkyrie Profile 2 w/Scott • 7pm PDT/10pm EDT

Super Robot Wars X w/Kyle • 3pm PDT/6pm EDT
Trails of Cold Steel (Nightmare Mode) w/Scott • 7pm PDT/10pm EDT

Final Fantasy XIV Online w/Scott • 3pm PDT/6pm EDT

Nightshade Review


Crowdfunding Chronicles Volume 12 - 5/17/2019

Crowdfunding Chronicles Volume 12 - 5/17/2019

Random Encounter 164: Farming Materia

Random Encounter 164: Farming Materia

Retro Encounter 188: How Did This Get Made: Pokemon: Detective Pikachu

Retro Encounter 188: How Did This Get Made: Pokemon: Detective Pikachu

Left Alive Review

Left Alive