Archives

Editor’s Note: “Where’s the review for Vol.1,” you ask? RPGFan only covers certain titles in the Akumajou Dracula (Castlevania) series, those with strong RPG elements like Symphony of the Night or the GBA/DS titles. None of the Castlevania titles represented on Vol.1 fit that criteria, but Vol.2 has over half its tracks coming from Castlevania… Read More »

Criminal Girls is a double-whammy of goodness. So good it should be illegal. Seriously, almost all games like these would separate the products: sell the “OST” (disc 1) as one product, and the “character vocal collection” (disc 2) as another. Make more money, and frustrate consumers. Now that I think about it, this seems the… Read More »

Alright, let’s talk about Another Bible! Before publishing the third Last Bible soundtrack, which I’m sure will be a winner (it’s slated to be two discs!), the “Discovery” series from SuperSweep released a Game Boy soundtrack for what one might call a Gaiden-Gaiden. Another Bible is a spin-off of Last Bible, but it drops the… Read More »

SuperSweep Records has begun a great new series of CD publications called the “Discovery” series. They dig up old game music that never had a soundtrack release, and release it. They’re starting with some totally forgotten titles in the MegaTen universe. “Last Bible” is a Gaiden series in the MegaTen world that would later bring… Read More »

Shibuya is known as the fashion center of Japan. This fact inspired much of The World Ends With You (TWEWY), a game in which fashion trends impacted gameplay. Although some would disagree, TWEWY holds some of the best video game music ever recorded. Intuitively, fashion and music both seem to draw on artistic sensibilities; thus,… Read More »

It’s another letdown, but at least I knew what to expect this time. Square Enix decided to remake classic Game Boy titles SaGa 2 and 3 (known in the US as FF Legend 2 and 3) on Nintendo DS. I had extremely high hopes for the SaGa 2 DS soundtrack, but it was a true… Read More »

Editor’s Note: If you’re wondering, “where is the review for the Volume 2 soundtrack? You skipped from 1 to 3?” The answer is that RPGFan does not review digital-only releases, and that’s exactly what the Vol.2 soundtrack was. Strangely, the Vol.3 soundtrack was printed as not just a physical CD album, but it comes in… Read More »

Earlier in 2010, Takashi Okamoto worked with Takeshi Abo on Summon Night Granthese. The people that left Flight Plan to create their own titles, Apollosoft, collaborated with NIS to create a new strategy RPG called Blue Roses. Okamoto followed that crew to work on Blue Roses, and he worked solo. Okamoto’s previous works with Flight… Read More »

Bottom line (at the top): unnecessary for hardcore collectors, perfect introduction for newcomers. I actually don’t own this CD. I don’t need to own it. I confirmed with someone who does own it, and there were no bonus or hidden tracks. Nothing is new. It is a compilation in the most true sense of the… Read More »

Hailed as “the last PS2 RPG,” Flight Plan’s latest console outing for the Summon Night series is a follow up to Ex-These. Granthese will probably not come to America, but import soundtrack collectors should take note of the impressive two disc soundtrack. This music is jazzy, funky, and ultimately quite catchy. It’s incredible work on… Read More »

Pop artist Aya Kamiki adds two fantastic songs to the 428 soundtrack, making this one of the hottest soundtracks I’ve heard to date. Composed by Aika Ohno and Hitoshi Okamoto, these songs have an engrossing beat with or without lyrics – Kamiki simply helps to perfect the sound. The first track may sound conventional by… Read More »

Kikuta is back. Again. The composer best-known for his work on Secret of Mana (Seiken Densetsu 2) disappeared from VGM for quite some time. He came back in 2007 with an album on his own “Nostrilia” label, featuring the music he wrote for Square Enix’s lesser-known MMORPG Concerto Gate. Since this album, though, we hadn’t… Read More »

From the moment I learned Yoko Shimomura was composing Kingdom Hearts, I eagerly awaited the chance to pre-order my copy. Considering her last two composing duties (Parasite Eve, Legend of Mana) have made her one of my favorite composers of all time, I had faith that her most recent project would not disappoint. Besides, who… Read More »

I don’t think anyone who played the original Kingdom Hearts when it was first released could have imagined the massive proliferation of the series now, almost 12 million copies and a decade later. Equally hard to imagine was just how far the series would come, both in terms of its superbly convoluted narrative and in… Read More »

With The 3rd Birthday’s soundtrack, Square Enix had the delicate task of connecting the game aurally to its predecessors while still forging ahead and creating something new. Much like the evolved gameplay and the “new” Aya Brea, the soundtrack had to evoke feelings of the old with new material. Thanks to a strong pedigree and… Read More »

Spin-offs of spin-offs … of spin-offs. Before I even touch this soundtrack, let’s review Falcom’s history. Falcom had a “Dragon Slayer” series, once upon a time. One of the off-shoots was Dragon Slayer: The Legend of Heroes. This title spawned its own sequel, Dragon Slayer: The Legend of Heroes II. Falcom then dropped the “Dragon… Read More »

If you’ve even heard of the Wii RPG Opoona, you know that it was met with little response beyond a yawn and maybe a thumbs-down. Its soundtrack, by the Basiscape sound team (Sakimoto, et al), was being hailed in some distant corners of the Internet as a gem. Yet, there was no soundtrack release. Gamerips… Read More »

PRESS START (noun) – A Japanese game music concert series. Something gaijin Japanophiles would probably love to see, if they even knew about it. Compare to PLAY!, Video Games Live, A Night in Fantasia, etc. These songs, for the 5th anniversary CD, are recordings from two different concerts (2008 and 2009). The album starts off… Read More »

Keita Egusa joins up with Hiroyuki Nakayama and Masato Kouda to form “The Pia-Coms.” In doing so, they’ve created a sequel to Pia-Com I. And instead of being an EP, this is a full-length (>40 minute), 10 track piano solo arranged album of classic NES music. RPG-specific, we have three tracks to talk about. First… Read More »

Holy moly, I’ve been craving some Shiren music. The soundtrack in Shiren the Wanderer 3 (released without the number in North America on the Wii) was one of the best games I’ve played on the console, and it had an incredible soundtrack. Handled primarily by Hayato Matsuo, with theme music handled by Koichi Sugiyama, that… Read More »

Since I have not played Pokémon Black or White I will have to judge the Super Music Collection based on its intrinsic value and perhaps how I could imagine the music working in the game. That shouldn’t be difficult: what Pokémon game in the main series is really much different from old Red and Blue?… Read More »

I was worried that this soundtrack would be weak. I don’t know what I was worried about, though. Minako Adachi is a great composer. Summon Night X ~Tears Crown~ is a DS title and a follow-up to the DS game Atlus USA localized (Twin Age). Look at the tracklist, and you may think “how boring.”… Read More »

Ever since I started writing soundtrack reviews for the ‘Fan, I have learned so much about the industry that I had never thought about. My tiny world of Uematsu, Mitsuda, and miscellaneous RPG music that I would off-handedly mention that I liked suddenly exploded into a breadth of names I had never heard before, but… Read More »

The World of Warcraft: Cataclysm OST perfectly melds high production values with cliché to create music that players won’t mind hearing for a thousand hours, if they hear it at all. The soundtrack features 17 tracks, each of which is well orchestrated and recorded, yet totally forgettable. This is the sort of music one might… Read More »

Febian Reza Pane performed the limited promotional piano arrangement for Radiant Historia which includes five tracks. Typically, I thoroughly enjoy piano arrangements for any RPG’s soundtrack, and often enjoy them much more than the originals. However, whether or not Shimomura’s intended format is not to be tampered with I cannot say. Pane’s performance is good,… Read More »