Video Games Live: Volume One

 

Review by · November 4, 2008

Tommy Tallarico and Jack Wall started their own tour of live VGM performances called “Video Games Live” around the same time that Arnie Roth and crew started “PLAY!”. They keep a friendly, healthy rivalry going by joking about each others’ performance styles. One thing we can say for sure: Tallarico likes to have fun. He isn’t, as he’s said about Roth, a “stuffed shirt.”

Unfortunately for the RPG nuts among us, the track selection is light on RPG fare. Yes, it opens with the fan favorite Kingdom Hearts. The performance is standard, and it’s based on the sheet music developed for the orchestrated version of “Hikari” (“Simple and Clean”) used on the OSTs. Then, we move right into the Warcraft Suite, which makes great use of a choir. The percussion section bangs the drums of war throughout this arrangement as well.

Next, we get a “Myst Medley.” Sadly, it gives Robyn Miller’s original “Myst theme” a disproportionate amount of time (about 30 seconds at the opening). The arrangement, of course, focuses on the choral pieces written by Jack Wall. After the Medal of Honor track, the vocalists come back for some Lion-King-esque “ethnic/world” music for the Civilization IV Medley. This might be my favorite track on the album; the performance is simply excellent.

It’s worth noting that only three of the eleven tracks were recorded live, in concert (as noted in the tracklist). The last of them is a favorite of mine: Castlevania. This is the track where they switch out the choir and the orchestra in favor of a band setup. This is a great arrangement, even with Tallarico shouting to introduce the track.

Overall, what sells this album is the excellent choir vocals, and a lot of nostalgia. The album is enjoyable, but I would much prefer attending a live performance of VGL.

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Patrick Gann

Patrick Gann

Therapist by day and gamer by night, Patrick has been offering semi-coherent ramblings about game music to RPGFan since its beginnings. From symphonic arrangements to rock bands to old-school synth OSTs, Patrick keeps the VGM pumping in his home, to the amusement and/or annoyance of his large family of humans and guinea pigs.